Discover Who Cares lol past issues

The debut issue of Who Cares LOL set the tone for the zine’s approach, reflecting on the art scene in Arlington, its history, and its evolving landscape. The editor’s note discusses the inspiration behind the zine—an exploration of art from a personal and introspective place, aiming to challenge perceptions and biases with humor and openness. This issue covers various topics, including snippets of Arlington’s art history, interviews with local artists and musicians, and reflections on public art projects like “Vessel.” It also highlights local galleries, exhibitions, and fringe film scenes in the area, making it a rich collection of artistic observations.

The zine aims to foster communication within the creative community and invites participation through its DIY ethos, offering readers a space to explore and share their own creative efforts. The issue closes with a heartfelt dedication and an open call for local art stories and collaboration.

The second issue of Who Cares LOL dives into the theme of value and trash, playfully examining how we assign meaning to objects and experiences. The editor’s note reflects on the arbitrary nature of human perception and how even mundane things like trash can hold hidden depth and meaning. This issue continues to explore the Arlington art scene, highlighting the public artwork of Dark Star Park and offering an insightful interview with local artist Anne Hancock. Anne discusses her late-blooming art career and her significant contributions to the Arlington art community.

This issue also features music interviews, a quirky mathematical proof about diagonalization, and reflections on local galleries and creative spaces. It paints a picture of a community deeply engaged in both the present and historical narratives of art, pushing boundaries while honoring local traditions. The zine also continues to celebrate local businesses and creators, with ad space contributing directly to production costs.

The third issue of Who Cares LOL continues its thoughtful exploration of Arlington’s art history and cultural landscape, this time through the lens of questioning reality, value, and perception. The editor’s note opens with reflections on doubt, questioning the validity of events like the moon landing and considering how history can become obscured over time. The issue examines local history through art, with a focus on the transformation of spaces and the role of art as a dwelling.

In a deep dive into Arlington’s past, this issue features stories of Jackson City, Luna Park, and the rise and fall of various cultural spaces, while also addressing the artist’s role in society. A highlight includes a look at Lustron homes—steel, prefab homes that were part of the post-WWII affordable housing boom, blending form, function, and art.

Additionally, the issue includes spotlights of artists like Federico Cuatlacuatl and Zaq Landsberg, offering insights into their work and the intersections of art, technology, and human connection. The music section delves into the story of a rare vinyl find, “Sunrise” by The Seventh Dawn, providing a nostalgic glimpse into obscure local music history.

The zine continues its mix of artistic reflection, local history, and creative playfulness, with sections on set theory, diagonal constructions, and original poetry.